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When it comes to guitar, there's absolutely nothing to complain about. This is where Romeo truly stands out on this release. I mean after the first song, I got everything I wanted, I thought well, that’s enough. Ha ha. 1 isn’t exactly the fourth coming of Paradise Lost. Standout tracks: Fear The Unknown, Black, Oblivion, When it comes to giant names in music industry, widely known for their talent and genius within a band, who release their own solo albums, often one of the two following cases holds true: either they follow the beaten path of the fame and work within the framework they are renowned for, or they try to put forward something hugely different from the work of their bands and do whatever they please, usually showing off how capable they are as an individual due to the more liberate nature of solo works. The stuff is not that fast, now the new Labyrinth album I recorded is fast and nobody talked about a machine there. 1 will be no doubt be cause for celebration. Michael Romeo, for the uninitiated, is the guitarist and founder for the highly influential progressive metal band Symphony X. Romeo’s playing and composition is an evolution of the neoclassical styles of guitarists like Ritchie Blackmore and Yngwie Malmsteen which bends aspects of classical composition into a more modern progressive style. Před časem mi totiž zase přišla na jazyk power slina a v hlavě se mi začaly přehrávat elementy téhle klasiky. The drums are incredible and first rate. Internationally acclaimed guitar player MICHAEL ROMEO (’80s Adrenalin, Symphony X, Ayreon) has announced the release of his solo album, “War Of The Worlds / Pt. At first blush, for example, War of the Worlds‘ choruses seem like straight power metal fair: sustained power chords letting Castellano’s clear tenor carry the melody. “Black” thrashes out Romeo’s trademark, eminently groove-able riffs and “Djinn” features gorgeous, subtle sweep arpeggios that soundly disprove the Malmsteenian Theory of Value. "F*cking Robots" is an unbelievable mix of neoclassical metal and electronic dubstep elements. If you know Symphony X's discography as well as I do, it's impossible not to hear it. The CD laid around for about a year when one day I had a long drive and popped it in my CD player. The similarity with Symphony X is undeniable. A list of people involved with Star Wars and their cameo appearances. Bass player Mike LePond launched the impressive ‘Pawn and Prophecy’ album together with Mike LePond’s Silent Assassin and now it’s up to guitarist Michael Romeo to continue the success story of (solo) releases by Symphony X members. He works very well with cleaner tones (like “Believe,” or choruses like “Black”), he can also add a healthy growl for flare and his soaring upper range is impressive. The bass that John DeServio (Black Label Society) puts forward is strong, though mostly unnoticed (maybe except for the final part of Djinn) and the drumming of John Macaluso is savage. And while his first official solo record, “War of the World Pt. This album is very similar in songwriting style to the last three albums of Symphony X but also carries a unique signature that sets it apart from their discography. So unlike with Symphony X, we may not have to wait an eternity to get another helping of Romeo’s majestic offerings. Company: Stereo D. Work Performed: 2D tracking, layering of elements, and color grading. If I were to describe Romeo's style it would probably be a blend of Yngwie Malmsteen, John Petrucci and God. There’s a cinematic feel to War of the Worlds reminiscent of Symphony X‘s The Odyssey. You could do some comparisons to Ronald Romero (Rainbow, Lords Of Black) in style and fittings, but Castellano brings an airy flow and sense of purpose without sounding like he’s trying to be someone else. 1’ might be seen as Romeo’s solo debut but actually it’s not. The title says it all. No matter how fast and intense the shredding may get there is not one second in his solos where technique seems to be a higher priority than musicality. ), but in fact it is a masterly combination of everything metal (guitar, bass, drums, vocals) and orchestration, with tinges of electronic music and hefty chunks of film score. Ciao Alan and Joel thanks for writing me back. It's the most epic and has a pretty evil atmosphere but what I like the most is the oriental music that hits you half way through the song. On top of that, the musicianship is rock solid. There are no weak Casio keyboard patches. And to those I have to say that "War of the Worlds part 1" is just as good. SYMPHONY X fans have been waiting two decades for an honest to goodness Michael Romeo solo album (not counting his 1994 demo recording, "The Dark Chapter", which was released in several countries), and the arrival of "War Of The Worlds / Pt. 1’ the multi-talented musician takes both his shredding and composing chops to deliver an ambitious solo endeavour, the name inspired by the novel by H.G. SYMPHONY X fans have been waiting two decades for an honest to goodness Michael Romeo solo album (not counting his 1994 demo recording, The Dark Chapter, which was released in several countries), and the arrival of War of the Worlds / Pt. Let’s just say that the follow up is only loosely connected. And it sticks in your head long after the song is over. 1 Music Theories Recordings / Mascot Label Group (July 27th 2018) Reviewer: Dan Mann I'm sure most of your are familiar with the name Michael Romeo, founding member of progressive metal band Symphony X. While the vocal compositions aren’t operatic in difficulty, Castellano shows off both power and touch. We'll be eternally grateful! I meant they ended up sounding artificial in spots, whether that be due to production choices or perhaps you are almost inhuman playing speed on certain fills. Although when referring to the music itself this is pretty much the same as Iconoclast and Underworld, it is a lot more diverse when it comes to each song's own signature. War of the Worlds nails the sweet spot between memorable songs and techy and proggy goodness. This guy doesn’t just shred or craft riffs, he composes metal symphonies that one can either admire for their depth or just bang your head to. Michael Romeo: War Of The Worlds / Pt. I had never heard of them at the time and I purchased their CD “Paradise Lost” just based on the CD art work. Any down sides? Despite the intricate guitar work, he still made it a collection of catchy choruses and riffs that simply invite you to headbang. 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